hello,
i am learning a lot about 32bpc floating point processing and HDR
and now have this question about PPRO.
AE has a 32bpc color pipeline. PPRO does not.
Todd Kopriva states from a thread in AE that
If you want to make a feature request for Premiere Pro to have a 32-bpc, high-dynamic-range color pipeline like After Effects, then you can submit a feature request. Be sure to articulate in your feature request why you think an NLE needs a complete 32-bpc, high-dynamic-range color pipeline. Usually, this is only considered important and useful for a compositing and visual effects application, and not as much for an NLE
and to be honest, i don't know whether NLEs like PPRO should or should not have a COMPLETE 32bpc pipeline.
i would think the more complete the better, unless someone in this forum can explain otherwise.
it probably is more expensive to have PPRO have a COMPLETE 32bpc color pipeline is the only thing i can think of myself.
this situation seems analogous to audio recording: mix in 24bit, mix down to 16bit...
any advice / info would be appreciated
thanks,
j